Home Index Site Map Up: Glassmaking Navigation
Up: Glassmaking

First: Pellatt · Curiosities of Glass Making · Cover Last: Pellatt · Curiosities of Glass Making · Page 146 · INDEX (cont'd) Prev: Pellatt · Curiosities of Glass Making · Plate 1 · NAPLES VASE Next: Pellatt · Curiosities of Glass Making · Page 132 · Plate 1 · NAPLES VASE Navigation
Curiosities
140 of 160

·Cover ·20 ·47 ·74 ·101 §128
·Title ·21 ·48 ·75 ·102 ·129
·iii ·22 ·49 ·76 ·103 ·130
·iv ·23 ·50 ·77 ·104 §Plate 1
·v ·24 ·51 ·78 ·105 ·131
·vi ·25 ·52 ·79 ·106 ·132
§Contents ·26 ·53 §80 ·107 ·Plate 2
·viii ·27 ·54 ·81 ·108 ·133
§1 ·28 ·55 ·82 ·109 ·134
·2 ·29 §56 ·83 ·110 ·135
·3 ·30 ·57 §84 ·111 ·Plate 3
·4 ·31 ·58 ·85 ·112 ·136
·5 ·32 ·59 ·86 ·113 ·137
·6 §33 ·60 ·87 ·114 ·138
·7 ·34 ·61 ·88 ·115 ·Plate 4
·8 ·35 §62 ·89 ·116 ·139
·9 ·36 ·63 ·90 ·117 ·Plate 5
·10 ·37 ·64 ·91 ·118 ·140
·11 ·38 ·65 ·92 ·119 ·Plate 6
·12 ·39 ·66 ·93 ·120 ·141
·13 ·40 ·67 ·94 ·121 ·142
·14 ·41 ·68 ·95 ·122 §Index
·15 ·42 ·69 ·96 ·123 ·144
·16 ·43 ·70 ·97 ·124 ·145
·17 ·44 ·71 ·98 ·125 ·146
·18 ·45 ·72 ·99 ·126
·19 ·46 §73 ·100 ·127
 
EXPLANATION OF THE COLOURED PLATES.




PLATE I.

NAPLES VASE.—(Frontispiece.)

The drawing of the Naples (or Pompeii) vase, is half the size of the original, deposited in the Public Museum of Naples. it was discovered in a sepulcher of Pompeii, on the 29th of December, 1839. It is of the same character, in the colours and quality of the Glass, as the Portland case, in the British Museum; the white enamel figures upon the dark blue transparent ground being raised, or embossed out of the white exterior coating, by first-rate engravers, probably Grecian artists working in Rome at an early period, or possibly as late as the reign of Trajan, about seventy years after the Christian era.
This beautiful vase is, no doubt, of more recent date than the Portland, and has an artistic playfulness of subject, of less severe and conventional character. it is tastefully descriptive of the in-gathering of the vintage harvest; beautifully harmonizing the Bacchanalian figures with the arabesque